Canone all'Unisono. Interprétation plus, Aria des Variations Goldberg joué sur un clavecin en tempérament inégal (Werckmeister III), Variations Goldberg BWV 988 - 02. The exposition takes up the whole first section of this variation (pictured). Goldberg Variations by J.S. It is in 34 time. "[17] Other arrangements include:[18], "Bach: The Goldberg Variations" redirects here. Canone alla Seconda. [citation needed]. This variation consists mostly of heavy chords alternating with sections of brilliant arpeggios shared between the hands. The variations located two after each canon (5, 8, 11, 14, 17, 20, 23, 26, and 29) are what Kirkpatrick calls "arabesques"; they are variations in lively tempo with a great deal of hand-crossing. (Live) From this devout beginning they proceeded to jokes which were frequently in strong contrast. In the first section, the left hand accompanies with a bass line written out in repeated quarter notes, in bars 1, 2, 3, 5, 6, and 7. If we leave aside the initial and final material of the work (specifically, the Aria, the first two variations, the Quodlibet, and the aria da capo), the remaining material is arranged as follows. Improvisations de. To demonstrate this, here are the first two bars of the first section: The second of the three minor key variations, variation 21 has a tone that is somber or even tragic, which contrasts starkly with variation 20. [10] The bass line begins the piece with a low note, proceeds to a slow lament bass and only picks up the pace of the canonic voices in bar 3: A similar pattern, only a bit more lively, occurs in the bass line in the beginning of the second section, which begins with the opening motif inverted. Il se trouve aussi une fugue régulière à quatre parties et d’autres variations très brillantes pour deux clavecins [sic Variationen für 2 Claviere, sous entendu « clavecin à deux claviers »], enfin un quodlibet, comme il l’appelait, et qui suffirait à lui seul à rendre son auteur immortel. A rapid melodic line written predominantly in sixteenth notes is accompanied by another melody with longer note values, which features very wide leaps: The Italian type of hand-crossing such as is frequently found in the sonatas of Scarlatti is employed here, with one hand constantly moving back and forth between high and low registers while the other hand stays in the middle of the keyboard, playing the fast passages. À partir de l'Aria introductive, une sarabande lente et ornée, et fondée sur le motif de basse très répandu de la gagliarda italiana (gaillarde italienne), Bach crée un immense univers en développement, qui regroupe de nombreux styles musicaux : canons, fugues, gigues, chorals ornés. Interprétées par la pianiste Kimiko Douglass-Ishizaka dans le cadre du projet Open Goldberg Variations, The Mortal Instruments : La Cité des ténèbres, Heroes of Might and Magic II: The Succession Wars, Sur la vie, l'art et les œuvres de Johann Sebastian Bach, International Music Score Library Project, mise à disposition dans le domaine public des enregistrements, https://fr.wikipedia.org/w/index.php?title=Variations_Goldberg&oldid=178775752, Œuvre pour clavecin de Jean-Sébastien Bach, Enregistrement inscrit au National Recording Registry, Article contenant un appel à traduction en anglais, Catégorie Commons avec lien local identique sur Wikidata, Article de Wikipédia avec notice d'autorité, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence, Variatio 12 Canone alla Quarta in moto contrario, Variatio 15 Canone alla Quinta in moto contrario a 1 clav., Andante, Hans Vollenweider - 1984, Accord 149075 - DDD -, Virginia Black - 1991, Collins 70032-2 (2 CD) - clavecin -, Eleonore Bühler-Kestler - octobre 1993 Bayreuth, Charade CHA 3012 - DDD -, New European Strings Chamber Orchestra (Orchestre) - octobre, Béatrice Martin - 1998, Conservatoire de Musique de Paris, Cité de la Musique -, Joël Pontet - 2010, Saphir productions - DDD -, Duo Mélisande - 2014, Paraty Productions -, Lang Lang - 2020, Bach : Goldberg Variations, Plusieurs variations, ainsi que l'aria, dans, Goldberg Variations 1-15 - Goldberg Variations 16-30. Bach, the architect and servant of the spiritual – a closer look at the, Picander's 1728–29 cycle of cantata librettos, Canonic Variations on "Vom Himmel hoch da komm' ich her", Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Goldberg_Variations&oldid=997693406, United States National Recording Registry recordings, Articles with unsourced statements from December 2020, Articles with unsourced statements from April 2015, Articles with unsourced statements from March 2017, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, 2020 [Parker Ramsay] Bach: Goldberg Variations (Arranged for Harp), The dialogue "Aria with Diverse Variations" in the Book, Niemüller, Heinz Hermann (1985). Saint Petersburg: Planeta Musiki, This page was last edited on 1 January 2021, at 19:51. The variation is in 68 meter, suggesting several possible Baroque dances. SHARE. Les Variations Goldberg constituent une œuvre pour clavecin composée par Jean-Sébastien Bach portant le numéro 988 dans le catalogue BWV. Specified for two manuals, it is largely made up of various scale passages, arpeggios and trills, and features much hand-crossing of different kinds. Concerto italien BWV 971, Ouverture à la française BWV 831, Quatre Duette BWV 802-805, Variations Goldberg BWV 988 / Italian Concerto BWV 971, French Overture BWV 831, Four Fuets BWV 802-805, Goldberg Variations BWV 988 (Bach, Johann Sebastian) Deutsch Piano seul [Conducteur d'étude / Miniature] G. Henle All the variations are in G major, apart from variations 15, 21, and 25, which are in G minor. Bach's biographer Forkel explains the Quodlibet by invoking a custom observed at Bach family reunions (Bach's relatives were almost all musicians): As soon as they were assembled a chorale was first struck up. This is relatively easy to perform on a two-manual harpsichord, but quite difficult to do on a piano. Elles sont initialement destinées au clavecin à deux claviers, l'usage fréquent de croisements de mains rendant leur interprétation difficile sur un seul clavier. Goldberg Variations Bwv 988: Bach, Johann Sebastian, Bach, Johann Sebastian, 0, Rost, Gunther: Amazon.fr | Formats: CD, Vinyl, MP3 |Livraison gratuite dès 25 € d'achat The set of variations can be seen as being divided into two-halves, clearly marked by this grand French overture, commencing with a particularly emphatic opening and closing chords. Canone all'Unisuono, Variatio 6. a 1 Clav. a 1 Clav. Goldberg Variations, BWV 988: Aria Da Capo e Fine. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work. "[6], This is a canon at the fifth in 24 time. L'œuvre est d'une richesse extraordinaire de formes, d'harmonies, de rythmes, d'expression et de raffinement technique, le tout basé sur une technique contrapuntique inégalable. Elles représentent aussi un des sommets de la forme« thème avec variations », et une des pièces les plus importantes écrites pour clavier. This variation is a virtuosic two-part toccata in 34 time. 9: R. Schumann – … Les Variations Goldberg (BWV 988) ont été publiées à Nuremberg, durant l'automne 1741, comme quatrième partie du Clavier-Übung, sous le titre Aria avec différentes variations pour clavecin à deux claviers[1]. Every third variation in the series of 30 is a canon, following an ascending pattern. K. Rodarmer) de Kurt Rodarmer sur Amazon Music. Bach: Goldberg Variations, BWV 988: Aria Jean-Sébastien Bach / Lang Lang Classique 10 juil. Bach pensa que ce but serait atteint à souhait à l’aide de variations. The Italian composer Busoni prepared a greatly altered transcription for piano. Williams opines that this is not the theme at all, but actually the first variation (a view emphasising the idea of the work as a chaconne rather than a piece in true variation form). ", This variation is a canon at the octave, in 98 time. Instrumentations: PIANO › Piano solo (33) Original › 2 pianos 4 hands (duet) (2) › 1 Piano, 4 Hands (duet) (1)ORGAN - ORGAO › Organ solo (4) Original GUITAR › 2 Guitars (Duet) (31) › Guitar solo (with tabs) (2) › 3 guitars (trio) (1)FLUTE. In the first two bars of the B part, the rhythm mirrors that of the beginning of the A part, but after this a different idea is introduced. En plus de la division en deux parties de quinze Variations, elles se regroupent également en dix ensembles de trois variations, fournissant pour support une gradation contrapuntique concluante : chaque troisième mouvement est un canon, les intervalles d'imitation montant successivement de l'unisson (dans la variation 3) à la neuvième (variation 27). That is, they then sang popular songs partly of comic and also partly of indecent content, all mixed together on the spur of the moment. Tonebridge. Commenting on the structure of the canons of the Goldberg Variations, Glenn Gould cited this variation as the extreme example of "deliberate duality of motivic emphasis ... the canonic voices are called upon to sustain the passacaille role which is capriciously abandoned by the bass." It is in 34 time and usually played at a moderately fast tempo. It consists of a slow prelude with dotted rhythms with a following fugue-like contrapuntal section. Instr. Variation 10 is a four-voice fughetta, with a four-bar subject heavily decorated with ornaments and somewhat reminiscent of the opening aria's melody. This is the only canon where two manuals are specified not due to hand-crossing difficulties, and the only pure canon of the work, because it does not have a bass line. This sprightly variation contrasts markedly with the slow, contemplative mood of the aria. In the second section, Bach changes the mood slightly by introducing a few appoggiaturas (bars 19 and 20) and trills (bars 29–30). Also available in the iTunes Store More by Evgeni Koroliov. Écoutez Bach: Goldberg Variations, BWV 988 par Murray Perahia sur Deezer. Thus, variation 3 is a canon at the unison, variation 6 is a canon at the second (the second entry begins the interval of a second above the first), variation 9 is a canon at the third, and so on until variation 27, which is a canon at the ninth. It is in 34 time. Goldberg Variations, BWV 988: Aria, Goldberg Variations, BWV 988: Var. Livraison gratuite dès 25 € d'achats et des milliers de CD. 3 Canone all'Unisono a 1 Clav. It's a piece so moving, so anguished—and so uplifting at the same time—that it would not be in any way out of place in the St. Matthew's Passion; matter of fact, I've always thought of Variation 15 as the perfect Good Friday spell."[6]. Download Bach/ Goldberg Variations, Bwv 988 - Aria song on Gaana.com and listen Glenn Gould Conducts Bach Bach/ Goldberg Variations, Bwv 988 - Aria song offline. This is a canon at the third, in 44 time. Most of the melody is written out using thirty-second notes, and ornamented with a few appoggiaturas (more frequent in the second section) and a few mordents. However, "despite the Italian terminology [giga], this is a [less fleet] French gigue." Selon la tradition, inspirée de la biographie de Bach qu'écrivit Johann Nikolaus Forkel en 1802[2], elles furent commandées au compositeur par le comte Herman von Keyserlingk. Le comte, plein d’infirmités, avait de nombreuses nuits d’insomnie. Bach était en voyage à Dresde en novembre 1741, et on peut soupçonner qu'il ait présenté à son protecteur, c'est-à-dire précisément le comte Keyserling, une copie des Variations Goldberg qui venaient d'être imprimées. Specified for two manuals, it involves rapid hand-crossing. The end of the first section features trills again, in both hands now and mirroring one another: The second section starts and closes with the contrary motion idea seen in bars 9–12. The canonic interplay in the upper voices features many suspensions. This variation is another two-part virtuosic toccata. Variation 27 is the last canon of the piece, at the ninth and in 68 time. This variation incorporates the rhythmic model of variation 13 (complementary exchange of quarter and sixteenth notes) with variations 1 and 2 (syncopations).[8]. In 1974, when scholars discovered Bach's own copy of the first printing of the Goldberg Variations, they noted that over this variation Bach had added the heading al tempo di Giga. Goldberg Variations Bwv 988 - Aria guitar pro tab by Johann Sebastian Bach. For the Glenn Gould album, see. The aria is a sarabande in 34 time, and features a heavily ornamented melody: The French style of ornamentation suggests that the ornaments are supposed to be parts of the melody; however, some performers (for example Wilhelm Kempff on piano) omit some or all ornaments and present the aria unadorned. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" : Var. : Goldberg Variations, Bwv 988 by Markus Becker on Apple Music. À l'instar de la Chaconne pour violon solo, ces variations reposent davantage sur la basse obstinée que sur l'air principal, selon la technique de la chaconne ou du ground anglais. Cette œuvre, composée au plus tard en 1740, constitue la partie finale — et la clef de voûte — de la Clavier-Übung publiée à Nuremberg par Balthasar Schmidt. Canone alla Sesta. This variation features four-part writing with many imitative passages and its development in all voices but the bass is much like that of a fugue. This variation is a two-part toccata in 34 time that employs a great deal of hand crossing. RELEASED NOVEMBER 30, 1993 ℗ 2003 MIRARE. First published in 1741 as the fourth in a series Bach called Clavier-Übung, "keyboard practice", the work is considered to be one of the most important examples of variation form. 3,558 views, added to favorites 212 times. Cette œuvre fait partie du concert enregistré dans le cadre du Festival international de piano de La Roque d'Anthéron, en août 2017. As with all canons of the Goldberg Variations (except the 27th variation, canon at the ninth), there is a supporting bass line. Any grand analysis can only be speculative, but it is undeniable that 30 variations with the aria (played twice) makes for 32 movements in toto: that the theme itself is 32 bars long might suggest some sense of mapping, where the entire structure in some way is present in the somewhat innocent theme (or vice-versa). Beatrice Rana. Anne-Marie Sylvestre, Producer Purchase: Javascript is required for this feature. Écoutez Bach: Goldberg Variations, BWV 988 par Ji sur Deezer. 32. Cette œuvre, composée au plus tard en 1740, constitue la partie finale — et la clef de voûte — de la Clavier-Übung publiée à Nuremberg par Balthasar Schmidt. The second section starts with this similar alternation in short bursts again, then leads to a dramatic section of alternating thirds between hands. Écoutez de la musique en streaming sans publicité ou achetez des CDs et … Williams, marvelling at the emotional range of the work, asks: "Can this really be a variation of the same theme that lies behind the adagio no 25? Mais cette légende est néanmoins largement contestée au début du XXIe siècle, du fait de l'absence de dédicace au frontispice de l'édition de 1741, très en coutume à l'époque, et de l'absence, dans l'inventaire des biens de Bach après sa mort, de traces des riches cadeaux faits par Keyserling à Bach, selon Forkel (une coupe en or remplie de cent louis d’or). This is another two-part hand-crossing variation, in 34 time. This is the first of the hand-crossing, two-part variations. Variatio 1 a 1 Clav. L'une des interprétations les plus connues est celle, au piano, de Glenn Gould (enregistrée quatre fois, les deux plus connues étant celles de 1955 et de 1981). Nicholas Kenyon calls Variation 18 "an imperious, totally confident movement which must be among the most supremely logical pieces of music ever written, with the strict imitation to the half-bar providing ideal impetus and a sense of climax. The section begins with the subject heard once again, in the soprano voice, accompanied by an active bass line, making the bass part the only exception since it doesn't pronounce the subject until bar 25. Its melody is made to stand out by what has gone on in the last five variations, and it is likely to appear wistful or nostalgic or subdued or resigned or sad, heard on its repeat as something coming to an end, the same notes but now final. Canone alla Seconda, List of compositions by Johann Sebastian Bach printed during his lifetime, "The "Goldberg" Variations, Essay by Yo Tomita (1997)", "The Quodlibet as Represented in Bach's Final Goldberg Variation BWV 988/30. a 1 Clav. 3, 4, 7, 8 2000 The Koroliov Series, Vol. Variatio 3. Variatio 7. a 1 ô vero 2 Clav. It begins with the hands chasing one another, as it were: the melodic line, initiated in the left hand with a sharp striking of the G above middle C, and then sliding down from the B one octave above to the F, is offset by the right hand, imitating the left at the same pitch, but a quaver late, for the first three bars, ending with a small flourish in the fourth: This pattern is repeated during bars 5–8, only with the left hand imitating the right one, and the scales are ascending, not descending. The soprano voice enters in bar 9, but only keeps the first two bars of the subject intact, changing the rest. By Johann Sebastian Bach. Canone all'Ottava. Teleman: Chamber Music for Oboe 1995 Bach: Flute Sonatas 1999 Bach: Chromatic Fantasia & Fugue 2011 Couperin: Pièces de Clavecin 2008 Marin Marais - Pièces de … Schmidt, à une initiative personnelle de leur compositeur the piece features hand-crossing File format:.! 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