In 2005, the Franco-German artist couple Cécile Colle and Ralf Nuhn[2] produced a series of canvases with computer connectors inserted into them, entitled "Cyber-Spatialism." May 3 to June 30, 2012 555 West 24 Street New York City, 212-741-1111. Spatialism (Italian: Spazialismo) is an art movement founded by Italian artist Lucio Fontana[1] in Milan in 1947 in which he grandiosely intended to synthesize colour, sound, space, movement, and time into a new type of art. [7], In the last years of his career, Fontana became increasingly interested in the staging of his work in the many exhibitions that honored him worldwide, as well as in the idea of purity achieved in his last white canvases. The movement focused on the spatial qualities of sculpture and paintings with the goal of breaking through the two-dimensionality of the traditional picture plane. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. In 2013, Luca Massimo Barbero, Nina Ardemagni Laurini and Silvia Ardemagni published a three-volume catalogue raisonné of Fontana's works on paper, including more than 5,500 works in chronological order. He is mostly known as the founder of Spatialism. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. [25] Fontana's jewelry is included in the permanent collection of the Museum of Fine Arts, Boston. Recognised as the founder of Spatialism, Lucio Fontana was a prolific artist who was driven by a desire to highlight and explore the relationship between surface and dimensionality.Fontana’s techniques included slicing through canvas and punching holes in the surface of his work – Spatial Concept is a series of works that exemplify this particular technique and Fontana would … Sharon Hecker. [1] He is mostly known as the founder of Spatialism. His groundbreaking slashed paintings, called Cuts (Tagli) embodied Spatialism, Fontana’s art movement that was meant to create a new kind of art synthesizing color, sound, space, and movement.Before his Spatialist manifestos and slashed paintings, Fontana was a … Lucio Fontana Biography. Lucio Fontana was an Argentine-Italian painter, sculptor and theorist. In 2014, the Musée d'Art Moderne de la Ville de Paris dedicates a retrospective to the artist. Spatial Concept, New York 10, 1962 by Lucio Fontana © Fondazione Lucio Fontana Milano After founding the Manifesto Blanco in 1946, Fontana began to further push the limits of contemporary art. [7] Since 1930 Fontana's work had been exhibited regularly at the Venice Biennale, and he represented Argentina various times; he was awarded the Grand Prize for Painting at the Venice Biennale of 1966. Lucio Fontana (1899–1968) was an Italian sculptor, painter, and ceramicist, regarded as the father of Spatialism, a midcentury modern movement that linked artistic experimentation with scientific principles and theories. Born to Italian parents in Rosario de Santa Fé, Argentina, in 1899, Lucio Fontana began his artistic career as a sculptor, working under his father Luigi before setting out on his own. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. An example of the slashed type (the slash made with a razor blade) is Spatial Concept Waiting (1960, Tate, London). His trademark perforated canvases drew both the ire and admiration of … Fontana 1954’ (lower right) steel 23 3/8 x 39 3/8in. [4], Among Fontana's last works are a series of Teatrini (‘little theatres’), in which he returned to an essentially flat idiom by using backcloths enclosed within wings resembling a frame; the reference to theatre emphasizes the act of looking, while in the foreground a series of irregular spheres or oscillating, wavy silhouettes creates a lively shadow play. Shortly before his death he was present at the "Destruction Art, Destroy to Create" demonstration at the Finch College Museum of New York. He exhibited his first installation in 1948, the same year he began his infamous ‘slashed canvases’. Presentation With a selection of thirty works, on March 5, 1977 Galleria dello Scudo opens an exhibition dedicated to Lucio Fontana, founder of Spatialism, the avant-garde movement that contributed to the renewal of art not only in Italy in the second half of the 20th century. The main ideas of the movement were anticipated in his Manifiesto blanco (White Manifesto) published in Buenos Aires in 1946. [30] Part of Fontana's Venice circle, Festival on the Grand Canal was sold at Christie's in New York for $7 million in 2008. In his Buchi (holes) cycle, begun in 1949–50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. "Servant of Two Masters: Lucio Fontana's 1948 Sculptures in Milan's Cinema Arlecchino". Gareth Harris (November 14, 2013), "Catalogue of Lucio Fontana’s drawings in the works", Anny Shaw, (February 12, 2015), "London's second week of auctions are strong, but more post-war than contemporary", Lucio Fontana: Ambienti Spaziali, May 3 - June 30, 2012, Honoring Two Cities With Slashes, Piercings and Punctures, Declaring Space: Mark Rothko, Barnett Newman, Lucio Fontana, Yves Klein, September 30, 2007 - January 6, 2008, lucio fontana, April 8, 2004 - June 27, 2004, The crimson and the white - Lucio Fontana and the blade that took him to space, Paris exhibition tests strength of art market, https://en.wikipedia.org/w/index.php?title=Lucio_Fontana&oldid=998345033, CS1 maint: bot: original URL status unknown, Pages using infobox artist with unknown parameters, Articles with unsourced statements from May 2020, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 January 2021, at 23:37. He is mostly known as the founder of Spatialism. I quanta Lucio Fontana • 1960. Executed in 1954 ... A gleaming icon of early Spatialism, this work was executed in 1954, a period of intense experimentation in Fontana… [24], Fontana's works can be found in the permanent collections of more than one hundred museums around the world. Lucio Fontana (1899-1968) [Concetto spaziale] signed and dated ‘l. Then he left his home in Milano and went to Comabbio (in the province of Varese, Italy), his family's mother town, where he died in 1968. His first solo exhibition at an American museum was held at the Walker Art Center, Minneapolis, in 1966. [23] The first major American retrospective since the artist's death came in 2019 at the Met Breuer. Spatialism (Italian: Spazialismo) is an art movement founded by Italian artist Lucio Fontana in Milan in 1947 in which he grandiosely intended to synthesize colour, sound, space, movement, and time into a new type of art. References. Although Fontana's ideas were vague, his outlook was influential, for he was one of the first, certainly the first European artist to truly promote the idea of art as gesture or performance, rather than as the creation of an enduring physical work. Lucio Fontana was an Argentine-Italian painter, sculptor and theorist. [9], Fontana often lined the reverse of his canvases with black gauze so that the darkness would shimmer behind the open cuts and create a mysterious sense of illusion and depth. One of them that can be attributed as the herald of change is the Italian artist Lucio Fontana whose work foreshadowed Environment art and performance art that are omnipresent in contemporary surroundings. In it he spoke of a new "spatial" art in keeping with the spirit of the post-war age. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. 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