The NFB budget has since been cut again. [15], In this period, other NFB films were issued as newsreels, such as The War Is Over (1945), intended for theatrical showings. [110], As stipulated in the National Film Act of 1950, the person who holds the position of Government Film Commissioner is the head of the NFB. This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. [174], The Kid Who Couldn't Miss (1982) cast doubt on the accomplishments of Canadian World War I flying ace Billy Bishop, sparking widespread outrage, including complaints in the Senate subcommittee on Veterans' Affairs.[175]. With six regional studios in English Program: And four regional studios in French Program: Upon its merger with the Canadian Government Motion Picture Bureau in 1941, the NFB's mandate expanded to include motion as well as still pictures, resulting in the creation of the Still Photography Division of the NFB. Pudlo welc... omed the changes brought about by modern life into the Arctic (example in his work - the airplanes, which he adopted as one of his preferred subjects). The unit's first release was The Ballad of Crowfoot (1968), described as "the first NFB film to present First Nations experience from an Indigenous point of view. [164], As of 2016, NFB web documentaries have won 17 Webby Awards, presented International Academy of Digital Arts and Sciences for excellence on the internet. English-language production occurs at centres in Toronto (Ontario Centre), Vancouver (Pacific & Yukon Centre, located in the Woodward's Building), Edmonton (North West Centre), Winnipeg (Prairie Centre), and Halifax (Atlantic Centre). The service would be available internationally and would feature documentaries from around the world as well as the NFB’s own catalogue. Imagine your hometown never changed. [111], Over the years, the NFB has been internationally recognized with more than 5000 film awards. From 1941 to 1984, the Division commissioned freelance photographers to document every aspect of life in Canada. [citation needed], Early in its history, the NFB was a primarily English-speaking institution. [11], As part of the 2016 Canadian federal budget, the NFB will receive an additional $13.5 million in funding, spread out over a five-year period. [67] NFB documentaries are also available on Netflix Canada. As of October 2009, the Atlantic Centre also operates an office in St. John's, Newfoundland and Labrador. The move had been championed by NFB producers such as Rex Tasker, who became the first executive producer of the NFB's studio in Halifax. The NFB continued to be involved with IMAX breakthroughs at subsequent world's fairs, with NFB director Donald Brittain directing the first-ever IMAX film Tiger Child for Expo 70 in Osaka, and with the NFB producing the first full-colour IMAX-3D film Transitions for Expo 86 in Vancouver and the first 48 fps IMAX HD film Momentum for Seville Expo '92. From documentaries about Biggie and Tupac to the Secret Life of Cats , there’s a lot to choose from. Canadian Government Motion Picture Bureau, Ladies and Gentlemen... Mr. Leonard Cohen, Category:National Film Board of Canada animated short films, IDFA DocLab Award for Digital Storytelling, Forbidden Love: The Unashamed Stories of Lesbian Lives, Canadian Museum of Contemporary Photography, Category:National Film Board of Canada people, Volcano: An Inquiry Into the Life and Death of Malcolm Lowry, The Colours of My Father: A Portrait of Sam Borenstein, The Man Who Planted Trees / L'homme qui plantait des arbres, The Boy Who Saw the Iceberg / Le garçon qui a vu l'iceberg, Lipsett Diaries / Les journaux de Lipsett, Higglety Pigglety Pop! Here, past and present blend, myth and reality meet, and the metaphor of fire infuses all in a location that lies at the heart of this Native community’s spiritual and cultural memory. [70], On June 20, 2017, the NFB announced a three-year plan entitled "Redefining the NFB's Relationship with Indigenous Peoples" that commits the organization to hiring more Indigenous staff, designating 15% of its production spending for Indigenous works and offering cross-cultural training to all employees. [32][87][88], Notable films produced by the studio include three Academy Award-winning documentaries I'll Find a Way (1977), If You Love This Planet (1982) and Flamenco at 5:15 (1983), as well as Not a Love Story (1982) and Forbidden Love: The Unashamed Stories of Lesbian Lives (1992). Outside Quebec, French language productions are also made in Moncton (Studio Acadie)[9] and Toronto (Canadian Francophone Studio). Budget-wise, 43 per cent of production funds were given to projects led by women (vs. 40 per cent to projects directed by men and 15 per cent to ones overseen by mixed teams). [12], In 1938, the Government of Canada invited John Grierson, a British documentary film producer who introduced the term "documentary" to English-speaking film criticism, to study the state of the government's film production. And in NFB annual reports of the time, French films were listed under "foreign languages". [13], In 1940, with Canada at war, the NFB launched its Canada Carries On series of morale boosting theatrical shorts. [55][56][57] By mid-2013, the NFB's digital platforms had received approximately 41 million views. Up to that date, the Government Motion Picture Bureau, established in 1918, had been the major Canadian film producer. [32], As of March 8, 2016, researchers and librarians at the University of Calgary announced an archival project to preserve records of Studio D.[89], On March 8, 2016, NFB head Claude Joli-Coeur announced a new gender-parity initiative, with the NFB committing that half of all its production spending will be earmarked for films directed by women. [25][26], In 2006, the NFB marked the 65th anniversary of NFB animation with an international retrospective of restored Norman McLaren classics and the launch of the DVD box set, Norman McLaren – The Master's Edition. The Sand Castle was the first (and so far only) sand animation to win an Oscar. [107], The division's work is the subject of a 2013 book by Carleton University art professor Carol Payne entitled The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada, 1941-1971, published by the McGill-Queen's University Press. 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