J.S. Ach mein herzliebes Jesulein, Tweet on Twitter. 2 Evangelist: "Es begab sich aber zu der Zeit" by Anthony Rolfe Johnson and English … As can be seen below, the work was only performed in its entirety at the St. Nicholas Church. The structure of the story is defined to a large extent by the particular requirements of the church calendar for Christmas 1734/35. The two most popular vocal scores for Bach's Christmas Oratorio are shown below. [36][37][38] In addition to these sources, the sixth cantata is based on a largely lost church cantata, BWV 248a, of which at least the opening chorus is based on the lost secular cantata BWV 1160. The date is confirmed in Bach's autograph manuscript. » Im Forum nach Christmas Oratorio [J S Bach and gen ] fragen: Recent Searches. Christmas Oratorio II 1 (10). Also 26 and 27 December (second and third day of Christmas) were commonly considered feast days, with festive music in church. The Christmas Oratorio, BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. Every locale of even modest size produces it, the audience seems to be virtually humming along. The instruments used in part II are 2 oboes d'amore, 2 violins, viola, and the basso continuo. From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=Christmas_Oratorio&oldid=7232722, Creative Commons Attribution/Share-Alike License. [24][25] In the second half of the 1720s Bach often collaborated with Picander as a librettist for his cantatas. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. Sinfonia 2 (11). A well-known English version of that stanza is "Oh, my dear heart, young Jesus sweet", the first stanza of "Balulalow", as, for instance, sung by Sting:[47][48]. The oratorio was written in 1734. Bach's Christmas Oratorio was compiled for the Christmas church festival at Leipzig for the season of 1734-5. ‘There is no more life-giving, joy-enhancing experience in Bach’s music than a great performance of the Christmas Oratorio,’ writes the composer’s biographer Nicholas Kenyon. Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). Each part is performed for a certain day in the Christmas season. [43][44][45] The first chorale tune appears in the 5th movement of Part I: it is the tune known as Herzlich tut mich verlangen, that is, the same hymn tune which Bach used in his St Matthew Passion for setting several stanzas of Paul Gerhardt's "O Haupt voll Blut und Wunden" ("O Sacred Head, Now Wounded"). As John Butt has mentioned,[72] this points, as in the Mass in B minor, to a unity beyond the performance constraints of the church year. The instruments used in part VI are the same as part I. The date is confirmed in Bach's autograph manuscript. Stream songs including "Christmas Oratorio, BWV 248: No.1 Chorus: "Jauchzet, frohlocket"", "Christmas Oratorio, BWV 248: No.2 Evangelist: "Es begab sich aber zu der Zeit"" and more. Before Bach composed his Christmas Oratorio for the 1734–35 Christmas season in Leipzig, he had already composed Christmas cantatas and other church music for all seven occasions of the Christmas season: Four of these third cycle cantatas for the Christmas season, BWV 110, 57, 151 and 16, were on a text from Georg Christian Lehms's Gottgefälliges Kirchen-Opffer cantata libretto cycle, which had been published in 1711. Similar Terms. Part V is written for the Sunday after New Year's Day. It is a reference to the pastoral music tradition of shepherds playing. 33 of the oratorio appears to be based on, This page was last edited on 1 December 2020, at 22:47. The instruments used in part II are 2 flutes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, and the basso continuo. Jordan Smith-Sep 25, 2016. Listen to Bach, J.S. Program Notes J.S. Stream songs including "Christmas Oratorio, BWV 248: I Chorus: "Jauchzet, frohlocket"", "Christmas Oratorio, BWV 248: II Evangelist: Es begab sich aber zu der Zeit"" and more. In Germany, Bach’s Christmas Oratorio is the seasonal equivalent to the English-speaking world’s Messiah. [PDF] + Video - Choir and Orchestra - Baroque * License : Public Domain - 6 Parts/Days, 64 pieces : I. Jauchzet, frohlocket, auf, preiset die Tage (Cantata for Christmas Day) 1. Mastered from original tapes and pressed on 180g vinyl Includes artist photos and liner notes in English and German. Parts I and III are similarly scored for exuberant trumpets, while the Pastoral Part II (referring to the Shepherds) is, by contrast, scored for woodwind instruments and does not include an opening chorus. Bach removed the content for the Third Day of Christmas (December 27), John's Gospel, and split the story of the two groups of visitors—Shepherds and Magi—into two. The oratorio has 6 parts. In the oratorio there is, however, no association with the pain and suffering evoked in the Passion. The continuo part is open to interpretation in matters of scoring. J.S. Bach: Christmas Oratorio WEIHNACHTS-ORATORIUM, BWV 248. (Sound, you drums!) [27] Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, composed in 1727, is another secular cantata on a text by Picander which was, shortly after its first performance, reworked into a sacred cantata (Ihr Tore zu Zion, BWV 193). Before Bach wrote the Christmas Oratorio, he already wrote some cantatas for the Christmas season. Listen to J. S. Bach: Christmas Oratorio by English Baroque Soloists & John Eliot Gardiner on Apple Music. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. But the epitome of Christmas music is Bach’s Christmas Oratorio, which opens with a drum roll. [71] A new edition has been worked up by Neil Jenkins. Some of the music is based from Bach's other works. By. 38 Rezitativ: "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen" von Nancy Argenta & Olaf Bär & English Baroque Soloists & John Eliot Gardiner 2:15 1,06 € Impachetare gratuita; Livrare gratuita la comenzi peste 59 de lei; Poti returna acest produs in 14 zile; Comenzi telefonice: 0725.982.036 And never mair from thee depart. (T) Evangelist And there were shepherds in that very region in the field nearby their sheepfolds, who kept their watch by night over their flocks. The six services of the Christmas season 1734–35 where the oratorio's cantatas were to be performed had these Gospel readings: As usual in most of his oratorios, and all of his Passions, the Evangelist character enunciated the Gospel text in sung recitatives, except the passages in direct speech, which were sung by soloists or choral groups representing the characters who spoke these texts according to the Gospel narrative. This page was last changed on 29 December 2020, at 11:00. was the title of the cantata that paid homage to the Saxon Electress and Polish Queen Maria Josepha, the music of which Bach reworked to make one of the most successful pieces of Christmas music of all time. Evangelista: Es begab sich aber zu der Zeit (B minor) 3. The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the adoration of the shepherds, the fourth (for New Year's Day) the circumcision and naming of Jesus, the fifth (for the first Sunday after New Year) the journey of the Magi, and the sixth (for Epiphany) the adoration of the Magi. English Conductor Sir John Eliot Gardiner (*1943) found the perfect setting for his recording of J. S. Bach's Christmas Oratorio; the historic Herder Church in Weimar. Parts Part I. First full-length English study of Bach’s Christmas Oratorio published. Markus Rathey, an associate professor at Yale University, recently published a 432-page book on one of Johann Sebastian Bach’s most famous pieces: the Christmas Oratorio. Bach expresses the unity of the whole work within the music itself, in part through his use of key signatures. Clocking in at well over three hours of music, Bach’s Christmas Oratorio is rarely heard in full in the UK. ", Die Melodien der deutschen evangelischen Kirchenlieder, International Music Score Library Project, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Christmas_Oratorio&oldid=991808485, Passions and oratorios by Johann Sebastian Bach, Articles with German-language sources (de), Articles to be expanded from December 2019, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Schlafe, mein Liebster, und pflege der Ruh, Jauchzet, frohlocket, auf, preiset die Tage, Blühet, ihr Linden in Sachsen, wie Zedern, Pfui dich, wie fein zerbrichst du den Tempel, Du Falscher, suche nur den Herrn zu fällen, So geht! [88] It was a translation of a 2002 Dutch-language study by Ignace Bossuyt [fr; nl].[89]. Bach: Christmas Oratorio Bach, Johann Sebastian (Composer), Gardiner, Sir John Eliot (Conductor), Monteverdi Choir (Orchestra), English Baroque Soloists (Orchestra), Argenta, Nancy (Performer), Otter, Anne Sofie von (Performer), Rolfe Johnson, Anthony (Performer), Blochwitz, Hans-Peter (Performer) & 5 more Format: Audio CD Part I is written for Christmas Day (December 25). The scoring below[72] refers to parts, rather than necessarily to individual players. English Translation Cantata BWV 248/3 - Ruler of heaven, hear our inarticulate speech Christmas Oratorio III: Event: Cantata for the 3 rd Day of Christmas [St John's Day] Readings: Epistle: Hebrews 1: 1-14 / Ecclesiastical Letters 15: 1-8; Gospel: John 1: 1-14 The … English Translation in Interlinear Format Cantata BWV 248/1 - Shout for joy, exult, rise up, glorify the day Christmas Oratorio I: Event: Cantata for Christmas Day Readings: Epistle: Titus 2: 11-14 / Isaiah 9: 2-7; Gospel: Luke 2: 1-14 Text: Christian Friedrich Henrici (Picander); Paul Gerhardt (Mvt. First Sunday after Christmas (31 December): First Sunday after Christmas (30 December 1725): The chorale melody used in No. Instead, he used the model from BWV 215 for the bass aria "Erleucht' auch meine finstre Sinnen" in Part V. Similarly, the opening chorus to Part V, "Ehre sei dir Gott!" However, numbers 10, 12, 14, 17, 18, 19 and 21 in Part II call for 2 oboe d'amore and 2 oboe da caccia. It was incorporated within services of the two most important churches in Leipzig, St. Thomas and St. Nicholas. The original score also contains details of when each part was performed. Coro: Jauchzet, frohlocket, auf preiset die Tage (D major) 2. Tönet, ihr Pauken! That Bach saw the six parts as comprising a greater, unified whole is evident both from the surviving printed text and from the structure of the music itself. Presented as an evening, all six cantatas, it is a challenging form. Most of this music was 'secular', that is written in praise of royalty or notable local figures, outside the tradition of performance within the church.[1]. J.S. The music represents a particularly sophisticated expression of the parody technique, by which existing music is adapted to a new purpose. The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). 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